Kelly Mark was a Toronto-based conceptual artist whose diverse practice revealed the absurdity and poetry of mundane acts and daily rituals. I Really belongs to one of her most iterative works, reimagined across media since the late 1990s. The original piece, I Really Should, was a stream-of-consciousness list of tasks the artist had long contemplated—“pay back my student loan,” “drink more water,” “clean out the litter box.” Over time, it morphed into a video monologue, handwritten refrigerator notes, a CD multiple, and a sound installation.
In 2010, Amsterdam DJ and music producer Sandrien approached Mark to overlay the recording onto a techno track, which she agreed to. Unexpectedly, the song became a European hit that summer. The collaboration brought conceptual art into the clubs, turning procrastination and self-improvement into both mental and physical movement. Mark was interested in how these tendencies were not only personal but part of a shared human condition. This work now also serves as an eccentric reminder of Mark—an artist who showed us, with openness and humour, how to take ourselves and what life offers just seriously enough.
This piece is courtesy the artists, Intacto Records, and Vtape.
This project is part of Everything and Nothing, a multi-site survey exhibition of work by the late conceptual artist Kelly Mark. Each organization, hosting a range of work, screenings or events, is fittingly named after a line from Mark’s recurring work, Everything & Nothing.
Participating organizations include: Olga Korper Gallery, The Goldfarb Gallery, goodwater, Art Metropole, the plumb, Joys, Pumice Raft and Vtape.
About the Artist
Kelly Mark (b.1967 Welland, Ontario, d. 2025, Toronto) worked in a variety of media including sculpture, video, installation, drawing, photography, sound, multiples, performance, and public interventions. Her work has been exhibited extensively across Canada and internationally: The National Gallery of Canada, Art Gallery of Ontario, The Power Plant Art Gallery, Contemporary Art Gallery (Vancouver), Musee d’Art Contemporain (Montreal), MSVU Art Gallery (Halifax), Bass Museum (Miami), University of Houston (Texas), The Henry Art Gallery (Seattle), Ikon Gallery (United Kingdom), Dundee Contemporary Arts (Scotland), The Physics Room (New Zealand), and the Netwerk Centre for Contemporary Art (Belgium).
In her lifetime, Mark participated in large-scale international exhibitions such as The Sydney Biennale (1998) and Liverpool Biennale (2006). Her work is represented in the public collections of The National Gallery of Canada, The Canada Council Art Bank, Canadian Foreign Affairs, The Art Gallery of Ontario, Musee D’Art Contemporain and many other public, corporate and private collections.
In her lifetime, Mark participated in large-scale international exhibitions such as The Sydney Biennale (1998) and Liverpool Biennale (2006). Her work is represented in the public collections of The National Gallery of Canada, The Canada Council Art Bank, Canadian Foreign Affairs, The Art Gallery of Ontario, Musee D’Art Contemporain and many other public, corporate and private collections.
Exhibition Team
Kathleen Bartels, Executive Director & CEO, Exhibition Curator
Rui Amaral Mateus, Artistic Director
Warren Harper, Exhibition Manager
Maxwell Galley, Production Lead & Exhibition Designer
Kelly Mark, 33 Minute Stare (still), 1996, Single-channel video, 33 minutes, silent.