In spring 2020, MOCA launched Shift Key, an online video platform, as a way to present and support more artists during the pandemic and to expand our digital offerings. After curating the first 6 months, the MOCA team invited guest curators to continue the programme with artworks that feel relevant at this moment and can be shared online to watch for free. Videos are currently posted for a period of one month. Thereafter an image and other materials remain, resulting in an archive, which exists below—in image and text—as a document of the conversations and relationships formed so far.
Shift Key is generously supported by Scotiabank.
Guest Curator: Carly Whitefield
What we carry forward
November 2021–February 2022
What we carry forward takes inspiration from explorations of inheritance and the public realm elaborated across GTA21’s physical and digital spaces. Unfolding over the course of four months, What we carry forward features pairings of artists’ films, videos, and animation that open up questions of legacies and spectres, ownership and agency. The programme begins with Samson Kambalu’s A Thousand Years (2013) and Dogs See Invisible Things (2016) and Tuấn Andrew Nguyễn’s The Boat People (2020), which take imaginative, cinematic approaches to engaging with material traces of the past. Allora & Calzadilla’s Returning a Sound (2004) and Theo Eshetu’s The Return of the Axum Obelisk (2009) centre acts of reclamation and repatriation, while Mona Hatoum’s Roadworks (1985) and Aura Satz’s Preemptive Listening (Part 1: The Fork in the Road) (2018) insist on maintaining representations of resilience and resistance. Cecilia Vicuña’s Paracas (1983) and Cauleen Smith’s Pilgrim (2017) close the program by animating objects and sites with the creativity and generosity of spirit of those who shaped them.
This edition of Shift Key is curated by Carly Whitefield, Assistant Curator, International Art at Tate Modern, London.
Cecilia Vicuña, Paracas, 1983. 18′31″. 16mm film transferred to video, sound. Courtesy of the artist and Electronic Arts Intermix.
Cauleen Smith, Pilgrim, 2017. 7′41″. 16mm film transferred to video, sound. Courtesy the artist and Corbett Vs. Dempsey.
Guest Curator: Native Art Department International
Native Art Department International (NADI) looks to begin 2021 by extending a different view of the social function of artists or artist groups; place and belonging. NADI is a long-term collaborative project created and administered by Toronto-based artists Jason Lujan and Maria Hupfield.
Tea Andreoletti and Eero Yli-Vakkuri
Tasting is the process of comparing two or more ingredients to each other
Tea Andreoletti and Eero Yli-Vakkuri, Tasting is the process of comparing two or more ingredients to each other, 2021.
Three Point Nine Art Collective
Three Point Nine Art Collective, Black Magic, 2021: Ramekon O’Arwisters – Strength / The President’s Chair, 10′42″; Rodney Ewing – Ritual / Game Theory Part 2, 6′26″; Ron Moultrie Saunders – Meditation / Meditate. Rejuvenate. Regenerate, 3′48″; Jacqueline Francis – Ritual / RUN, 3′24″; S. Renée Jones – Ritual / In/to’ Black, 3′29″.
Guest Curator: Daisy Desrosiers
September 2020–January 2021
Independent curator and interdisciplinary art historian Daisy Desrosiers’ selection looks at the poetics of slowness and the complex relationships between collective narratives and memory as modes of becoming.
The selection by Desrosiers included participation from:
Jesse Chun, David Hartt, Oliver Husain, Steffani Jemison, Erin Johnson, Kapwani Kiwanga, Celia Perrin Sidarous, Erin Shirreff and Zadie Xa.
Kapwani Kiwanga, Vumbi, 2012. HD video, color, sound, 31′00″. Courtesy of the artist.
Erin Shirreff, Still, 2019. Colour video, silent, 39′00″ loop. Courtesy of the artist and Bradley Ertaskiran, Montreal.
Selected by the programme team:
Rui Mateus Amaral, Sabrina Maltese and November Paynter
The selection was made to present artists already working with MOCA on our digital platform and to support additional artists during the first museum closure that started in March 2020. In addition this first phase of programming included partnerships with the National Film Board of Canada, Scotiabank Contact Photography Festival, Mercer Union and Protocinema.
The selection included participation from:
Basma AlSharif, Deanna Bowen, Fatma Bucak, Robin Cameron, Petra Cortright, Sara Cwynar, Shezad Dawood, Nicholas Galanin, Deniz Tortum & Kathryn Hamilton, Yazan Khalili, Vvzela Kook, Evelyn Lambart, Mark Lewis, Jon Rafman, Megan Rooney, Gun Roze, Victoria Sin, Krista Belle Stewart and Wu Tsang.
Columbus of Horticulture
Vvzela Kook, Columbus of Horticulture, 2019, Animation, 5′15″.
The Shape of a Right Statement
Wu Tsang, The Shape of a Right Statement, 2008, HD Video with stereo sound, 5′00″. Courtesy the artist and Galerie Isabelle Bortolozzi, Berlin.