Guiding Questions for Mark Lewis, Standing Ovation on Suffern Lake Saskatchewan (2019)

Recommended Age: Grade 3 and up

Not always in plain sight are profound references to historical events, the history of cinema and the tradition of painting. Along the lines of his previous works, Standing Ovation consists of a single shot, with no sound or camera motion. Set against a wintery grey landscape, a lonesome hockey player is seen moving a puck across a single ice patch as if practicing a set of plays or passing time. As the film advances, a small crowd emerges from the woods, greeting the player with an unusually sustained outpour of applause and emotion. At first, she appears unfazed by this bold reception, but eventually, she begins to play to her fans, forming an intimate and cryptic exchange between the two.

Visit MOCA’s Shift Key Platform and watch Standing Ovation on with a friend (virtually or in-person). Then, use the guiding questions below to start a discussion about the piece.

  • The hockey player is suited up in typical hockey gear, except for one important element–she is not wearing a helmet and her long hair whips around her face as she skates from one end of the ice patch to the other.  Why do you think the artist chose to outfit the main figure in this way?

 

  • Do you think the people in the cheering crowd are really there, or are they a figment of the hockey player’s imagination?

 

  • What do you imagine the player is feeling in the first half of the film when she is alone, versus the second half when the crowd is cheering her on?

 

  • If you could ask the artist a question about the piece, what would you like to know?

 

Image: Mark Lewis, Standing Ovation on Suffern Lake Saskatchewan, 2019. Courtesy of the artist and Daniel Faria Gallery, Toronto.
Comments
  • Susan Collacott
    Reply

    The image is allegorical in that it has immediate significances of the lonely struggle of northern indigenous youth to find a connection to this place called Canada that exists so far south as to seem to be half way around the world. The second is the reference to the ever closing in warming of the planet that threatens the very existence of the north as we know it. The applause is a figment of the imagination which artists never get. No clapping for visual artists. No applause for the lone artist in the wilderness that is the Canadian art scene. Susan Collacott

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